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The Cambridge companion to Delacroix

  • 240 Pages
  • 0.32 MB
  • 7163 Downloads
  • English

Cambridge University Press , Cambridge, New York
Delacroix, Eugène, -- 1798-1863,, Delacroix, Eugène, -- 1798-1863 -- Influence, Art, French -- 19th ce
Statementedited by Beth S. Wright.
ContributionsWright, Beth Segal.
Classifications
LC ClassificationsN6853.D338 C36 2001
The Physical Object
Paginationxvi, 240 p., [12] p. of plates :
ID Numbers
Open LibraryOL22417898M
ISBN 100521650771, 0521658896
LC Control Number00028919

The Cambridge Companion to Delacroix is designed to serve as an essential resource for students of French nineteenth-century art history, cultural history, and literature. Product details Series: Cambridge Companions to the History of ArtCited by: 2. The Cambridge Companion to Delacroix serves as an introduction to one of the most important and most complex artists of the nineteenth century.

Providing an overview of his life and career, this volume offers essays by leading authorities on the artist's pictorial practice, the stylistic range over Classicism and Romanticism, his writings, both 4/5(1).

The Cambridge Companion to Delacroix serves as an introduction to one of the most important and most complex artists of the nineteenth century. Providing an overview of his life and career, this volume offers essays by leading authorities on the artist's pictorial practice, the stylistic range over Classicism and Romanticism, his writings, both.

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The Cambridge Companion to Delacroix. New York: Cambridge UP, Pp. ISBN (cloth) ISBN (paper) Marjorie Schreiber Kinsey, South Bend, Indiana For more than a decade the Cambridge UP has provided "companions" to the study of cultural icons from Shakespeare to Keats to Berlioz but has left visual artists alone.

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Terrill 🔥 The Cambridge Companion [ ].Eugène Delacroix (–) was a solitary genius who produced stormy Romantic works like The Death of Sardanapalus as well as more classically inspired paintings such as Liberty Leading the the long span of his career, he responded to the literary fascination with Orientalism, the politics of French imperialism, and the popular interest in travel, painting everything from.